DELHI IS NOT FAR BY RUSKIN BOND: A Love Story without Losses
Image Courtesy: Penguin |
__
Ruskin Bond
The Commentator
says;
When
it’s about love, some believe it’s natural to make mistakes. The truth is ‘mistakes’
and ‘love’ do not coexist. Mistakes are not love. Love is not a mistake. Before
the book review, let me recount to you a love story flew by my life a couple of
months back. As some of you know, I love blogging. As some others of you are
well aware, more than blogging, I love the experience of writing. Blog or my
other publishing ventures, this love for writing is at the core of it all. A
couple of months before, I had thought of writing a review of the book Delhi is Not Far by Ruskin Bond, author
of The Lamp is Lit. Opening a word
document, I wrote the title of the book with the author’s name as a ‘clever’
appendage. Then I kept it to gather some inspiration and relevance. Then I
forgot. To be more precise, I pushed the priority to love to another rather
unimportant spot and, for the time being, foregrounded some other necessities. Dry
as they may be, these necessities were significant to fortify the walls of my
small personal world.
Then
came a day when my own spirit knocked on a tiny window on that wall. It was
time to push old priorities back into position. I opened a word document.
Decided to write on Delhi is Not Far. Wrote
a title, this time a better one and hit the shortcut keys on the keyboard to save
the document in the same folder I save them always. The computer said the file
named the book title already existed.
Image Courtesy: Google |
Delhi is Not Far is a
novella about two men who fell in love with a woman in a rural small town in
India. The story takes place in Pipal Nagar, an imaginary small town in
Northern India. The protagonist of this novella is a male writer, a convenient
alter ego of the author himself perhaps. His name is Arun, a writer of B Grade
crime novels in Urdu language eking out a living in Pipal Nagar. Arun tries his hand on various jobs in Pipal
Nagar, jobs that only a small town could offer like an attempt at selling
vegetables. Those who have read The Lamp
is Lit may find an element of autobiography in this action. Apparently,
Ruskin Bond himself, as a young man, tried vegetable business and failed.
Arun’s
companion in Delhi is Not Far is Suraj.
Their common interests are Kamala, a prostitute and their liberating bicycle
rides out of Pipal Nagar to the green, nostalgic countryside. Going to Delhi,
the nation’s capital and becoming successful is the motive that guides Arun,
Suraj, Deep Chand, the barber, etc.
The
title, Delhi is Not Far perhaps
demonstrates the sense of fulfillment that these characters want to achieve
once they undertake the quintessential journey to Delhi, the land of their
opportunities. It also suggests a sense of distance. Distance is the major
ingredient of nostalgia, one of Ruskin Bond’s most common themes.
Ruskin
Bond’s parents were British. They came to India as part of the colonial
mission. When the empire withdrew, Bond’s parents and relatives, (most of them)
went with the Queen. He stayed, however, along with some of his relatives in
Dehra Dun. After his education he worked in Channel Islands in the U.K, where
he worked for two years and also started honing his writing craft. The location
helped emblaze his longing for India. The commentator feels that it was perhaps
this experience of going away that Imbued Bond’s style with his classic
nostalgia or longing for the good old days of the past.
Now,
as I mentioned earlier, the thing we love would get to us. It’s hard for
someone to get away from true love. The Commentator thinks that the measure of
true love is the ‘pull’ one feels at the strings of the heart. Arun, finally,
travels to Delhi, leaving behind his friend and Kamala. The story is wonderful
as it touches deeper layers of one’s psyche.
In this
story that the Commentator thinks is a love story, no one loses. It’s a deeper
understanding of the human condition and its magnificence that envelops the
ending of the story. Delhi is Not Far rekindled
my love for rural life and eye for elements that spell originality in the
Indian context. Ruskin Bond’s narrative style is uniquely Indian and lovably
universal.
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